Projects

realizations of highly indeterminate scores (2014- ) (more)

about The Artist text for intervention in a historically white “high art” venue (2024)

protocol to strike Exoticism for musician(s) and action (2024)

before the spectator’s capacity for images and lights in a historically white “high art” venue (2024)

answers cannot be found within the Aesthetic text for intervention in a historically white “high art” venue (2024)

before Listening protocols for a concert music venue (2024)

so sensitive as to need protection protocols for a historically white “high art” venue (2022-24)

what is necessary prior to the otherwise text for intervention in a concert music venue (2024)

before Taste language for intervention in a historically white “high art” venue (2023-24)

The Voice of Immanuel Kant, explaining his philosophy of Art performance or installation for speaker inside a bust of Immanuel Kant (2024)

لا للتباهي (La Le Ttabahe) co-composed with Hala El Ouarrak, for performer(s) and image or bust of a Great Historical Figure (2024)

The Weapon of Harmony for dominant seventh chord, annotations, tools of “harmonization,” and images (2022-24)

before Home for performer(s), “permanent” structure, and audio (2024)

framing the framer 4 interventions against art music Exoticism (2024) (more)

the inscription Wilderness, seething, bristling… score for hauntings in a Wilderness scene (2024) (more)

before this work enters the world for found classical music and dispersed speakers (2023)

before Art elevates for images installed around a historically white “high art” venue (2021-23)

asking the unthinkable texts for intervention in a historically white “high art” venue (2023)

title to land project with sampled musical titles (2023)

before Art transcends for screen and historically white “high art” paraphernalia (2023)

the coherence is the problem text for intervention in a historically white “high art” venue (2023)

vampiric freedom intervention for the stage door of a concert hall (2023)

transcendence is the problem intervention for statue of Great Artist (2023)

before the empire lives long for musical sample and annotation (2023) (more)

before mapping this title onto sensory experience for performers, audio, and audience (2023)

before Universal judgement for concert music infrastructures and audio (2023)

“certain that this music can be read as a portable Work—certain that matters of land can be compartmentalized from this music” constellation for title, score, speaker, and program note on land occupied by a concert hall (2022-23) (more)

“certain that i can own this music and not be…” constellation for title, score, speaker, and program note at a concert hall (2022-23), as [author present as printed words] (more)

For Austin Wulliman for any number of bowed string instruments (2022)

Shadows in the Forest performance-installation for print, objects, and audio in a Wilderness scene (2022)

Babbling Brook Calming Water Sounds to Help Sleep and Relax for babbling brook on occupied Turtle Island, electronics, and print materials (2022) (more)

the alibi of animacy for musical expression marks (2022) (more)

epithalamion video with eponymous poem by Paula Claire (2022) (more)

You are located in the position of the Spectator new realization of Alvin Lucier, I am Sitting in a Room (2022) (more)

in the wake of the santa maria for speakers positioned near carbon-producing infrastructure (2021) (more)

ghosts in the machine performance for and against Zoom and Facebook Live (2021) (more)

nature is an anxious relation audio for intervention in a Public Park (2021) (info)

Waters of Empire: Modern Water as Relation on Occupied Turtle Island audio-visual lecture/performance around scores by George Brecht and Yoko Ono (2021) (more)

you are Nature for 2-4 performers, recording devices, and props in a spectatorial venue (2020) (more)

a unique title will likely reinforce the framing of a human embodied activity as a stable Work (i.e. unit of intellectual property) within the realm of Culture, as categorically distinct from Nature framework for collective embodied study, for bodies and environment (2019)

this title refers to a counterproductive piece of private property framework for collective embodied study, for bodies and installation (2018)

untitled installation for text, images, and metronome, with Chris Lee (2018)

string figures for musicians with or without formal training, electric guitar, and environmental materials (2018) (more)

this is a performance about you, not its maker for three to ten acoustic instruments in an indoor concert music venue (2017) (more)

center unmoored in the presence of infinite fringes for solo prepared bass tuba (2016) (more)

surplus site-specific displacement for two concealed speakers at Silo City, occupied Seneca land (“Buffalo, NY”) (2015)

threshold for string trio (2015-16)  (more)

voice-dross displacement for concealed speakers (2014) (more)